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The complete Maus

By: Spiegelman, Art.
Material type: materialTypeLabelBookNew York : Pantheon Books, [1997]Edition: 1st edition.Description: 295 pages : illustrations ; 24 cm.Content type: text | still image Media type: unmediated Carrier type: volumeISBN: 9780679406419; 0679406417.Other title: Maus.Subject(s): Spiegelman, Vladek -- Comic books, strips, etc | Spiegelman, Art -- Comic books, strips, etc | Holocaust, Jewish (1939-1945) -- Poland -- Biography -- Comic books, strips, etc | Holocaust survivors -- United States -- Biography -- Comic books, strips, etc | Children of Holocaust survivors -- United States -- Biography -- Comic books, strips, etc | Graphic novelsGenre/Form: Graphic novels.DDC classification: 741.5/973
Contents:
My father bleeds history -- And here my troubles began
Summary: The Pulitzer Prize-winning Maus tells the story of Vladek Spiegelman, a Jewish survivor of Hitler's Europe, and his son, a cartoonist coming to terms with his father's story. Maus approaches the unspeakable through the diminutive. Its form, the cartoon (the Nazis are cats, the Jews mice), shocks us out of any lingering sense of familiarity and succeeds in "drawing us closer to the bleak heart of the Holocaust" (The New York Times). Maus is a haunting tale within a tale. Vladek's harrowing story of survival is woven into the author's account of his tortured relationship with his aging father. Against the backdrop of guilt brought by survival, they stage a normal life of small arguments and unhappy visits. This astonishing retelling of our century's grisliest news is a story of survival, not only of Vladek but of the children who survive even the survivors. Maus studies the bloody pawprints of history and tracks its meaning for all of us
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Hardcover Books Hardcover Books Naples Public Library
YA GRNOV (Browse shelf) Available 072186
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My father bleeds history -- And here my troubles began

The Pulitzer Prize-winning Maus tells the story of Vladek Spiegelman, a Jewish survivor of Hitler's Europe, and his son, a cartoonist coming to terms with his father's story. Maus approaches the unspeakable through the diminutive. Its form, the cartoon (the Nazis are cats, the Jews mice), shocks us out of any lingering sense of familiarity and succeeds in "drawing us closer to the bleak heart of the Holocaust" (The New York Times). Maus is a haunting tale within a tale. Vladek's harrowing story of survival is woven into the author's account of his tortured relationship with his aging father. Against the backdrop of guilt brought by survival, they stage a normal life of small arguments and unhappy visits. This astonishing retelling of our century's grisliest news is a story of survival, not only of Vladek but of the children who survive even the survivors. Maus studies the bloody pawprints of history and tracks its meaning for all of us

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